Changing guitar strings

Forums General Discussion Changing guitar strings

  • Post
    rgbrock1
    Member

    Hi.

    I have a question which may seem rudimentary but I’ll ask anyway!
    When changing strings on an electric guitar is it preferable to do so one string at a time
    or take all the old strings off and then restring. I’ve seen claims that by taking all
    the strings off at once one stands the chance of warping the neck. Is there any truth
    to that assertion?
    Thanks in advance.

    Richard

Viewing 9 replies - 1 through 9 (of 9 total)
  • Replies
    billmeedog
    Member

    @rgbrock1 6097 wrote:

    Hi.

    I have a question which may seem rudimentary but I’ll ask anyway!
    When changing strings on an electric guitar is it preferable to do so one string at a time
    or take all the old strings off and then restring. I’ve seen claims that by taking all
    the strings off at once one stands the chance of warping the neck. Is there any truth
    to that assertion?
    Thanks in advance.

    Richard

    Richard, šŸ™‚

    First of all, NO your neck should NOT warp by taking all the strings off! If that were true, how could one ever clean one’s frets/fingerboard (super-fine steel-wool, for example) or lubricate a rosewood fretboard (lemon-oil for example?) That being said, if you have a tremolo sytem (especially full-floating/double-locking – like Floyd Rose,) there are definite advantages to changing one string at a time. I usually “setup” my “live” guitars every 8-10 weeks (which requires full fingerboard detailing, neck checking/adjustments, intonation-check/adjustments, etc.) so “all-of-the-strings” come off at once then. However, when I’m doing my “bi-weekly/tri-weekly” string-changes, I just do the “one-string-at-a-time.” So I guess whether you want to take all the strings off or not is a matter of context and what type of work you’re intending to do on the guitar, IMO. šŸ˜‰

    Another oft-confused technique is proper string winding! It certainly depends on the type of guitar, and it happens to be extremely difficult to verbalize (even for a verbose “mofo” like “I” – LOL!) šŸ˜® so I will NOT attempt to explain. However, if anyone is NOT sure, do some research! I think there are a few decent YouTube tutorial/demos. BTW, is there an Infinite Guitar Tutorial from the past that I’m NOT aware of that addresses this important topic??? Well anyone? Hey Sean, what do you think??? That could be a great “fundamental” maintenance tutorial! Maybe that and a few other very simple maintenance-based guitar issues could be addressed?!? šŸ˜Ž

    Just a thought! (I have plenty of ’em, and once in a while, they actually make sense! – LOL!) :rolleyes:

    ~Bill Meehan~ šŸ˜€

    Good points Bill, I’ve been thinking about doing a set-up tutorial for both fixed and floating tremolo-type guitars (i.e gibson/strat/Ibanez). There are a lot of things to cover there, and I think also a lot of unwarranted fear about doing your own adjustment work. I’m actually going to do a video-manual/setup tutorial for Flaxwood Guitars beginning of next year.

    How frequently do you change your strings? This could be a good survey question. šŸ™‚

    billmeedog
    Member

    @arc_of_descent 6102 wrote:

    How frequently do you change your strings? This could be a good survey question. šŸ™‚

    Hey Rohan, šŸ™‚

    Good survey topic! I’ll answer, but I’ll do so in a way that “segregates” the various types of guitars and what I use them for:

    (2) Gibson Les Pauls: Drop-D – 3-weeks or (3) gigs – Tool Tribute

    (1) Blade R4H: Down-Half-Step – 4-weeks or (4) gigs – Rock Covers

    (1) Blade R4: Standard-Tuned – 3-weeks or (3) gigs – Rock Covers

    (1) Ibanez RG1570: Standard-Tuned – Once every 6-weeks. That’ll (unfortunately)
    become MUCH more frequent once I install a new bridge p.u.
    and the Tremol-No clamp for whammy/fixed bridge options! šŸ˜®

    (1) Guild D-25 Acoustic – Down-Half-Step – 8-weeks or (4) gigs – Variety Covers.

    * The rest: Fender Telecaster, G&L ASAT, Mouradian Custom, Epiphone Les Paul,
    Yamaha 12-string acoustic etc. – As needed; Ocasional studio useage

    Interesting question/survey topic! šŸ˜Ž

    ~Bill Meehan~ šŸ˜€

    Hey Bill, thanks for answering.

    I hate changing strings! But since my first real purchase of a guitar I’ve started to take loads of care of it. i.e. wiping the strings after playing, etc. From my experience, I change strings when I can see they have lost their lustre, which I estimate is around once in 5 weeks.

    I read somewhere about the “rules” of changing. Not sure where though. It went something like – if you play x number of hours, you should change strings every y days. But I guess thats just the strings manufacturer’s way to increase sales! šŸ˜€

    Thanks,
    Rohan

    Tom Quayle
    Tom Quayle
    Member

    I’m terrible for this. I really hate changing strings (I have to do it regularly for many students and for all my studio guitars – 14 Yamaha Pacificas!) As a result my guitars get really neglected in this respect. I don’t think I’ve changed my strings on the Ibanez S guitar for about 6 months if not longer! I never break strings as I play pretty lightly so I ended up leaving them on for all that time. For someone who considers themselves a professional musician I can’t believe I just said that!

    Does anyone fancy becoming my guitar tech and changing all my strings on a regular basis? Good rates of pay! Haha!

    Infact, I’m off to order some strings now – I’ve shamed myself into it.

    šŸ™

    I change strings maybe twice a year. This due to 2 reasons. 1.) I have very dry hands, and absolutely NO acidity, which means that my strings feels and looks brand new even after several months. 2.) As I use 0.11-50 string, they tend to last much longer tone, and intonation-wise. However, once they start loosing tone, and intonate badly, I change them.

    billmeedog
    Member

    @Richard Lundmark 6123 wrote:

    I change strings maybe twice a year. This due to 2 reasons. 1.) I have very dry hands, and absolutely NO acidity, which means that my strings feels and looks brand new even after several months. 2.) As I use 0.11-50 string, they tend to last much longer tone, and intonation-wise. However, once they start loosing tone, and intonate badly, I change them.

    Hey Richard, šŸ™‚

    Great observations/comments! I was gonna mention “body-chemistry,” but you beat me to it! My old singer (who played rhythm in my band) had “crazy” body-chemistry! He would sweat, and the strings would be instantly rusty! I’m NOT even exaggerating! It was something you’d have to see to believe! I wouldn’t let him play my guitars after a while! (LOL!) I couldn’t afford HIS string-budget! :rolleyes:

    The other point that I’d like to make (that Richard could’ve made, but he is too humble & cool!) is that if you have excellent picking-technique (which I am working hard on improving these days!) you should be “guaging” the very-tip of the pick. This in turn reduces “resistance” and (along with economy of motion and relaxation) allows for much faster (potential) picking/playing! A “nice” by-product of this reduced-resistance is less string-breakage! šŸ˜‰

    Like I would bet that Yngwie Malmsteen NEVER breaks strings! I say this because if you watch his picking-hand closely, you’ll see a very relaxed, very economical motion, and I’ll bet he guages the very tip (1/16th-inch at most!) šŸ˜Ž

    Do you agree with this Richard?

    ~Bill Meehan~ šŸ˜€

    Well, seeing how Yngwie uses 0.008 strings, he’ll probably have to change them frequently since they will degrade rapidly. But he does have a very light touch and pick-attack so I don’t think he brakes a lot of strings. Me however, since changing to heavier strings back in the early 90’s, have developed a veeeery hard pick-attack. When I play 0.09 I really have to focus on not hitting the strings so hard, or I’ll brake them. For me at least, the fat is that I have much better control and dynamic using my heavy attack, than I ever could using a light touch like yngwie. But, we are all different, and I think most people would have greater success with a lighter touch.

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