Quayle 5sec run? transcribe?

Hey man, I managed to get a little time in before bed, so I tabbed it out for you.
However, just a few notes.

1.) It is very hard to distinguish which individual right hand fingers play what note in hybrid picking, since the movements are so very small. So, I tabbed it out as I would play it, from what I can see however, Tom tends to favor using only the pick and middle finger (“M” in the tab) when hybrid picking, whilst I go more for the Garsed-method of using middle and ring-finger in equal measure. Feel free to explore your own personal way here, whatever SOUNDS best in the end, is the right technique for you.

2.) When the run turns into a descending pattern, Tom slightly speeds up, falling slightly in front of the beat, almost falling into quintuplets. Since I can’t really that he IS playing quintuplets, I decided to keep it noted as sixteen notes. Bear in mind that this type of “rushing the beat” as well as “Chasing the beat”, playing ever so slightly in front of or behind the beat is a very common practice in traditional jazz, and one that Tom has expertly brought along into his fusion playing. My advice here is to play along with the video until you nail it cleanly, and then try to mimic the “feel” of the “rush”.

3.) The line is all in C# Dorian (second mode of B major, thus the key signature of Bmajor in the tab), with exception for the chromatic passing note of C up on top.

4.) Enjoy, and let me know if you have any questions, or as I said, if you want the .GP-file to practice to, shoot me a PM.

Sorry, I forgot to mention that, I tabbed it in standard tuning for you. If you do want to try it in fourths tuning, just play everything on the E & B-strings 1 fret down (when tuned to C and F on those strings) and you play it exactly as Tom’s does fingering-wise.
As for me, I recognize the benefits of using 4ths tuning for this stuff, but I can’t see myself having the time anywhere in the future to sit down and re-learn my entire playing style to adapt to this tuning, so I’ll rather take what fits standard tuning and rather treat everything conceptually (as I try to make a point of in many of my tutorials). When you have the concepts and technique down, what tuning you use is not half as important as those two.