Hey Steve A.,
I have a good friend here in my hometown named “Stevie A.” so I feel like I’m talking to him right now! š
Anyways, that was EXCELLENT! I like how you paced the recurring melodic-theme (“A-Dorian w/chromatics” – I think?) early on, and then you got progressively more “shreddy” (is that even a word? :o) later on after the bridge/quiet (| Fmaj7 – G – Am | Fmaj7 -Am – G | etc.) part! Great pacing! Also, I love how you harmonically approached that riff-section (where the accompaniment plays: | A C C# A A A F# G D C G G# | A C C# A A F# G D E C G | etc.) before the end by jamming out the “A-Phrygian Dominant”/”D-Harmonic Minor!” tonality!!! (I think that’s what you did?!?) š Well, whatever you did, I LOVED how that sounded, yet I don’t remember hearing ANYONE else use that tonality over those riffs?!? :confused: š AWESOME man! š
Best of luck! š
~Bill Meehan~ š