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Tutorial - Visualizing Pentatonics
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Visualizing Pentatonics - Line No. 3

Advanced • Scales • Fusion
Tom Quayle 164 lessons
Tutorial

Visualizing Pentatonics

Visualizing Pentatonics - Introduction
1
Visualizing Pentatonics - Introduction Tom Quayle
Visualizing Pentatonics - Sus Chord Construction
2
Visualizing Pentatonics - Sus Chord Construction Tom Quayle
Visualizing Pentatonics - Sus Chord Application
3
Visualizing Pentatonics - Sus Chord Application Tom Quayle
Visualizing Pentatonics - Comping - Introduction
4
Visualizing Pentatonics - Comping - Introduction Tom Quayle
Visualizing Pentatonics - Am Groove Comping
5
Visualizing Pentatonics - Am Groove Comping Tom Quayle
Visualizing Pentatonics - Comping - Giant Leaps
6
Visualizing Pentatonics - Comping - Giant Leaps Tom Quayle
Visualizing Pentatonics - Comping - Roundup
7
Visualizing Pentatonics - Comping - Roundup Tom Quayle
Visualizing Pentatonics - Line Playing
8
Visualizing Pentatonics - Line Playing Tom Quayle
Visualizing Pentatonics - Line No. 1
9
Visualizing Pentatonics - Line No. 1 Tom Quayle
Visualizing Pentatonics - Line No. 2
10
Visualizing Pentatonics - Line No. 2 Tom Quayle
Visualizing Pentatonics - Line No. 3
11
Visualizing Pentatonics - Line No. 3 Tom Quayle
Visualizing Pentatonics - Line No. 4
12
Visualizing Pentatonics - Line No. 4 Tom Quayle
13
Visualizing Pentatonics - Am Groove Backing Track Tom Quayle
14
Visualizing Pentatonics - Giant Leaps Backing Track Tom Quayle
15
Visualizing Pentatonics - TABS (Standard Tuning) Tom Quayle

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Lesson Library

Here is line no. 3, built exclusively from the Am Pentatonic scale.

Again, I've used sus4 shapes and their inversions to create the line beginning with a Gsus4 in the 1st inversion, followed by an Asus4 in the root position.

We then have the Gsus4 up an octave connected via a small linear phrase to the Asus4 in the 1st inversion, and then another 3-note-per-string legato phrase to finish the line.

There are some big stretches here so watch out and warm up properly!

Also, be aware of how well your pinky and third finger work together. This line is great for working on this weakest combination of fingers.

On to No. 4!!

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