Deep Purple’s Smoke on the Water Guitar solo

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    PavelRC7
    Member

    Cool, i click the link and get the following message: “Veoh is no longer available in CROATIA. If you are not in CROATIA or think you have received this message in error, please go to veoh.com and report the issue.”

    Hey bro, nice vid!
    You got the the timing and the notes down good man.
    However, a few small things that you might want to listen more closely to
    to really nail it blackmore-style.
    1.) The vibrato. Blackmore’s vibrato, especially on this tune, is a bit faster and even slightly off-pitch compared to yours.
    2.) The small micro-bends that he does throughout. For example, in the beginning of the solo, when you bend the C (13th fret B-string) up to the D. That is suposed to be a pre-bend. Right now, you can hear the bend going up, then down. Practise playing the target note D, then right afterwards, pre-bend and hit the string, until you nail your pre-bends to perfect pitch.
    3.) When you have released your prebended D down to C and then play the Bb, you’re supposed to make a very fast, 1/4 bend upon landing on that Bb, before hitting the G on the G-string.
    4.) there are also some other places where you hold the notes out a bit too much, where they’re supposed to be more staccato, and stuff like that.

    If you listen closely to the album-solo, you start to pick up these small details of his playing. This might seem like nitty gritty stuff, but it is in the end just these small details that makes the difference between actually mimicking his stylistic idiosyncrasies.

    Don’t take this as negative feedback bro, rather as constructive criticism.I have yet to see ANYONE on YouTube actually nail this solo with all the details there, and your version is just as good as any out there atm.

    Hi,

    Here’s the YouTube link. I thought veoh offers much better quality sound, but I’m finding it be the same now.

    http://www.youtube.com/watch?v=TOakS4BexF8
    Want high quality?
    http://www.youtube.com/watch?v=TOakS4BexF8&fmt=18

    Richard, thanks for your comments. I have much to practice in improving my bends and vibrato, but honestly, I’m not looking to do it Blackmore style. Of course, I’ll take anything I can learn from his stlye. šŸ™‚

    Everytime I hear the original I cringe, cause I know I can do so much better with my version. My current version is basically an easy-to-play one until I learn the intricacies you pointed out. So, I can right now play my version exact note-to-note with all its flaws included. šŸ˜€ But yes, my aim is to definitely play it exactly as in the record. Thanks for your tips on the pre-bends.

    On a side note, have you heard his solo on the Machine Head 25th Anniversary record? Wow! Thats one amazing solo!

    Thanks again.
    Rohan

    Sean Conklin
    Sean Conklin
    Member

    Hey Rohan,

    Loving the video stuff man. And great playing with the solo! Some good advice from Richard there too. Keep making vids!

    Sean

    hscalfo
    Member

    Great job man! Makes me want to go back and start listening to Blackmore again.

    billmeedog
    Member

    @arc_of_descent 6744 wrote:

    Hi,

    “I’m not looking to do it Blackmore style.”

    “…my aim is to definitely play it exactly as in the record.”

    Thanks again.
    Rohan

    He Ro, šŸ™‚

    Considering your response to Richard, I think you’ll probably need to settle on your intentions before you can realize your goals with this song! (LOL!) :rolleyes: That being said, I do think that you did a good job with this one. As one would expect, Richard is spot-on with his observations and advice, but you did well “all-in-all.” I’ve always maintained that “Smoke On The Water” is an interesting classic-rock example, because the main-riff has been so overplayed by most beginners (a true testament to the “riffing-genius” of Blackmore!) that I think this song usually gets lumped in with that type of “overplayed, beginner-friendly” riff-type songs (think “Smells Like Teen Spirit” by Nirvana for a more recent generational example!) Because “Smoke On The Water” is more known for that “Fat-riff” (which BTW, MANY people play wrong! The “inverted power-chords” – ||: G5 Bb5 C5 G5| Bb5 Db5C5 :|| – should be “finger-plucked!!!” – but anyways, I digress…as usual!) the song’s solo (unfortunately) gets overlooked, and it is a BRILLIANT solo, by any standards! In fact, if I had to compile a top-ten AOR (Album-Oriented-Rock) solo list, “Smoke On The Water” would DEFINITELY make my top-10! (What a great TONE also!) šŸ˜Ž

    Anyways Ro, if you decide to try refining this solo further, (using Richard’s advice) I wouldn’t blame you for your efforts, because as I just stated, it’s a GREAT solo (and song!) and there is much-to-be-learned from nailing such a solo! šŸ˜Ž

    Best of luck, and keep up the good work! šŸ˜‰

    ~Bill Meehan~ šŸ˜€

    @billmeedog 6754 wrote:

    He Ro, šŸ™‚

    Considering your response to Richard, I think you’ll probably need to settle on your intentions before you can realize your goals with this song! (LOL!)

    Well, I shot myself in the foot this time šŸ˜€

    But seriously, learning this solo was an eye opener to me. Multiple pentatonic scales, a Dorain mode included for Cm if I’m not mistaken. The theory! I’m not sure I’ll ever be able to execute it physically like Blackmore, but its cool. šŸ˜Ž


    Rohan

    billmeedog
    Member

    @arc_of_descent 6758 wrote:

    Well, I shot myself in the foot this time šŸ˜€

    But seriously, learning this solo was an eye opener to me. Multiple pentatonic scales, a Dorain mode included for Cm if I’m not mistaken. The theory! I’m not sure I’ll ever be able to execute it physically like Blackmore, but its cool. šŸ˜Ž


    Rohan

    Hey Ro, šŸ™‚

    You absolutely can play it physically as well as Blackmore (if you so desire!) You are a very good player who’s still progressing, which is GREAT! šŸ˜Ž

    BTW, you are “dead-nuts-on” with your assessment of “Smoke On The Water’s Solo” having the “multiple rooted-pentatonics” AND “C-Dorian” moments in it (like that descending 16th-note part about halfway into it!) Except, I think he sneaks a”Gb” in there (flattened-fifth/”Blues-Note) which I’d refer to as a hybrid “C Dorian-Blues.” šŸ˜Ž šŸ˜‰

    You can do it bro! However, if you choose not to, that’s OK too! It would be by choice NOT out of necessity or failure! šŸ˜‰ šŸ™‚

    TTYL! šŸ˜€

    ~Bill Meehan~

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