So we open with a few measures of odd time. Make sure the rhythmic distinction between "on" and "off" is adheared to. Meaning, to give the rhythm the most amount of punch, avoid noise during the rests at all possible cost. The verse itself is just a groovy riff in E with a lead line playing off the rhythm. Again, to produce the best possible results, use caution when executing the breaks in time. In measure 14, keep an eye out for up beat rhythms - the lead line is emphasized by a drum fill, but be cautious not to slip up and lose the feel.